There are several things immediately noticeable in Yuyu Sharma’s
very powerful Quaking Cantos. The poetic form is fairly unusual (the poems are jagged and rapid
fire), and even when you bind the short lines tightly in couplets, this does
not relieve the feel of sharp edges. There is a great deal of fractured
enjambment, for example The earth/opened up/ her
jaws… (from “Nipple”) to the
point that the poems themselves seem broken. This is highly successful and
effective given the very difficult subject matter. Yuyu’s approach to the
challenge of form in the Cantos is that of a master. The
anger and grief expressed from poem to poem (and even within poems) pop up very
quickly then subside like an aftershock. The reader is then often left with
some indelible image: a crying lamb, a grandmother who has just died, a baby
searching for the sustenance of a mother’s breast. The poetic form certainly
enhances this, but it is the images, which are so electric. These are
wonderful, troubling, and moving poems. It must have drained Yuyu to the
core to write of such catastrophe.
— Dr. David Austell, Columbia University, New
York
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